FunkFreak75
With a line-up of musicians such as this you really shouldn't go wrong:
- François Cahen / Yamaha acoustic piano, Fender electric piano, Korg synthesizer - Didier Lockwood / acoustic & electric violin, artianal bass violin - Gérard Prévost / Fender bass, hors phase bass, acoustic bass - Yochk'o Seffer / Soprano & Sopranino saxes, vocals, piano on F.F.F. - Jean-My Truong / orange double drums
1. "Natura" (7:03) sounds so much like a modern Pat Metheny Group epic--but it pre-dates all that! Piano, chunky and jazzy bass, and nasal soprano (sopranino?) sax all sound good together. Jean-My is a little quiet. (9/10)
2. "Tserouf" (8:59) a very tight funky jazz fusion song that could have come off of any of the American masters of the era--Miles, Chick, Stanley, Zawinal, even JLPonty, Area or Bob James! Great song. Very melodic. (9.5/10)
3. "F.F.F. (Fleurs for Faton)" (2:34) very nice little musical étude performed by piano, acoustic violin and bowed double bass--like a gift from Débussy or Fauré. (9.5/10)
4. "Kabal" (4:14) very tightly performed, fast-paced opening before stepping down to a slower tempo at 0:50 for some synth work--but then things ramp up again with EVERYBODY getting into the act MAHAVISHNU style. The bass and drum work remain super tight and focused at the bottom throughout this display of virtuosity. (8.5/10)
5. "Sadie" (3:43) opens rather loosely, as if walking by a Jean-Luc Ponty-like street musician. The sopranino sax, bass, and electric violin melodies and harmonic support throughout this oft-shifting tempoed song are gorgeous. At 2:40 we are even treated to an overdubbed solo track for the violin. Nice. Creative, inventive song. (10/10)
6. "Free Folk" (10:44) there's a very relaxed vibe throughout this song--like a WEATHER REPORT song. As a matter of fact, there's very little here--or on this album--that harkens to Zeuhl music. Feels and sounds like the Zao crew has shaken loose from the Vander clutches and moved fully into the jazz fusion fold. Nicely done. Probably the weakest song on the album--almost anti-climactic fill--but still good. (8.5/10)
The question is: why is Jean-My Truong so sedate and/or mixed so low in the soundscape?
