Sean Trane Tibbetts’ second album, Yr, is probably the album that every proghead has heard of and clearly the album’s reputation has reached many different music circles. Released for the first time in 80, this album will get another release in 83 with a better artwork and legend has it a different mix (although I was never able to get this confirmed).

Unlike his debut album, Yr, Tibbetts is having a whole group with him that include both Marc Anderson and Tim Weinhold on percussions, this album is still in the same direction as his debut broadly influenced and still not easy to categorize. Because of this, Steve Tibbets is generally regarded as a fusion musician, but not in the jazz-rock sense of the word. You can hear there are still some Oregon traces in his music (the folk orientations of many of his tracks), but it is also much more than that because of the electrical dimension of the music and some downright rock moments, and although not mentioned, there are some layers that suspiciously sound like Mellotrons on this baby.

Tibbett’s guitar work ranges from the acoustic folk to an almost guitar-shredder (check the closing of Ur), but one of the guiding line throughout the album are the ethnic percussions which ranges from Anderson’s congas and drums to Weinhold’s bongos and bells, but also two tabla drums giving an instantaneous Indian feel to some tracks.

Along with his debut album, Yr is definitely the album to discover this adventurous and almost-ambient guitarist. Much surprises ahead of you if you are to investigate these two albums.