KBB — Lost and Found

Jazz music community with discographies, reviews and forums

KBB - Lost and Found cover
4.71 | 3 ratings | 1 review
Buy this album from MMA partners

Album · 2000

Filed under Jazz Related Rock
By KBB

Tracklist

1 果てなき衝動 (Hatenaki Shoudou) 6:24
2 Catastrophe 9:32
3 Antarctica 13:28
4 The Desert of Desires 7:38
5 Another Episode 8:27
6 熱砂の記憶 (Nessa no Kioku) 9:42
7 Divine Design 9:25

Line-up/Musicians

About this release

Musea (France)

Thanks to snobb for the addition



Buy KBB - LOST AND FOUND music

KBB LOST AND FOUND reviews

Specialists/collaborators reviews

No KBBLOST AND FOUND reviews posted by specialists/experts yet.

Members reviews

FunkFreak75
Amazing violin and keyboard led instrumental Prog Fusion from Japan that harkens back to the debut album of the 1978 supergroup UK as well as to late 1980s JEAN-LUC PONTY. Bass player, "Dani," drummer Shirou Sugano, keyboard player Toshimitsu Takahashi, and violinist/composer, Akihisa Tsuboy are all incredibly gifted musicians, but what's more, they each have an extraordinary gift for melody and rhythm. Also, a special shout out has to go to bass player, "Dani"--who is also the album's engineer--for his great recording/engineering job.

The album begins with the hard-driving, bass-grooving 1. "Hatenaki Shoudou" (6:24) (9/10)

2. "Catastrophe" (9:31) is an amazing offering of frenzied, multiple layered electric fusion (another mostly hard-driver) in which the band's cohesive play and interplay are put on full display. Parts jaw-dropping, parts are goose-bumpy gorgeous. Incredible song. (20/20)

3. "Antartica" (13:28) has a much more neoclassical, symphonic soundtrack feel to it. At times this sounds like something from traditional Scottish folk melodies, at times like a military march, at others concerto-like, and even some brooding KITARO-like folk. This is a complex and maturely constructed piece that only impresses. It's only shortcoming is in the flow and that it doesn't have quite the melodic draw of the previous two songs. (27/30)

4. "The Desert of Desires" (7:38) opens like a ELP or ASIA tune before establishing an organ based, Bruford-drummed bass display. Soloing electric guitar enters at the one minute mark. Very accomplished 80s EDDIE VAN HALEN-like playing. At 2:17 everything drops away to allow an electric piano to establish a slower tempo in order to display a more emotional, bluesy guitar solo style. Reminds me of WHITESNAKE. The chord and melody work of the last two minutes is the best part. Nice work. Nice piece. I don't connect with the emotion of this electric guitar playing or heavy rock style as much as the fusion violin work of the first two. (16/20)

5. "Another Episode" (8:28) again opens like a familiar VAN HALEN song before displaying its violin-centricity. Some absolutely stunning melodies are quickly established and heart-wrenchingly performed. Even the piano and bass are integral parts of the emotional mix of this song. I like the presence of some more Japanese feeling melodies in this song. Very much like the incredible soundtracks put together for Studio Ghibli Hayao Miyazaki films by composer Joe Hisaishi. Awesome synthesizer solo in the sixth minute! The ensuing "farfisa" organ doesn't fit quite as well but its presence is only brief. The next percussive synth chord section is also a bit out-of-date but it evolves into a piano-based return to the opening melodies (though on electric guitar and synthesizer instead of violin). Still a pretty awesome song! (18/20)

6. "Ness No Kioku" (9:41) opens with a low and then high toned SHANKAR-like solo violin. The melodic style here is also much more akin to Middle Eastern or Indian traditions. Truly awesome musicianship in the rhythmic support of the bass and drums. Probably the best and most exciting song on the album, start to finish. (20/20)

7. "Divine Design" (9:26) opens with perhaps the most engaging three sections of the album. Very JEAN-LUC PONTY and DANIEL KOBIALKA-like. A simpler song construction establishes itself for the first four minutes--though there are at least five shifts in that time. The sixth shift at the 4:45 mark goes straight for the J-L PONTY jugular--much in the same way Jean-Luc did in his faster-placed songs and soli from 1975-84. And great, very tight band support throughout the song, into and with every style and tempo shift. Guitar appearance leads into a return to some of the song's opening themes--layered one over the top of another! Cool song! (20/20)

So professionally done, such high level of musicianship and composition. With the amazing start with the first two songs and the equally amazing final two songs, this one is very close to a masterpiece.

Five stars, for sure a masterpiece of progressive rock music.

Ratings only

  • lunarston
  • Lynx33

Write/edit review

You must be logged in to write or edit review

JMA TOP 5 Jazz ALBUMS

Rating by members, ranked by custom algorithm
Albums with 30 ratings and more
A Love Supreme Post Bop
JOHN COLTRANE
Buy this album from our partners
Kind of Blue Cool Jazz
MILES DAVIS
Buy this album from our partners
The Black Saint and the Sinner Lady Progressive Big Band
CHARLES MINGUS
Buy this album from our partners
Blue Train Hard Bop
JOHN COLTRANE
Buy this album from our partners
My Favorite Things Hard Bop
JOHN COLTRANE
Buy this album from our partners

New Jazz Artists

New Jazz Releases

Return to the Joyous Lake World Fusion
FAREED HAQUE
Buy this album from MMA partners
Mother Harp Eclectic Fusion
MATT ULERY
Buy this album from MMA partners
Memories Dreams Reflections Hard Bop
NICOLE GLOVER
Buy this album from MMA partners
Gadabout Season Nu Jazz
BRANDEE YOUNGER
Buy this album from MMA partners
More new releases

New Jazz Online Videos

Uptown Downtown
JON CLEARY
js· 6 hours ago
Yene Felagote
UKANDANZ
snobb· 7 days ago
More videos

New JMA Jazz Forum Topics

More in the forums

New Site interactions

More...

Latest Jazz News

members-submitted

More in the forums

Social Media

Follow us