DIXIE DREGS — The Best Of The Dregs: Divided We Stand

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3.00 | 3 ratings | 1 review
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Boxset / Compilation · 1989

Filed under Fusion
By DIXIE DREGS

Tracklist

1. Bloodsucking Leeches (3:59)
2. Road Expense (3:26)
3. Twiggs Approved (4:34)
4. Assembly Line (4:24)
5. Kat Food (5:02)
6. Cruise Control (3:38)
7. Pride O' the Farm (3:41)
8. Divided We Stand (4:59)
9. Take It Off the Top (4:26)
10. Hereafter (6:26)

Total Time: 44:38

Line-up/Musicians

- Steve Morse / Acoustic Guitar [Guitars], Electric Guitar [Guitars]
- Andy West /Bass [Fretted And Fretless]
- Rod Morgenstein /Drums, Percussion
- T. Lavitz /Piano [Acoustic], Electric Piano, Organ, Synthesizer
- Mark O'Connor /Violin (tracks: 1, 4, 9)
- Allen Sloan /Violin [Acoustic And Electric Violin] (tracks: 2 to 3, 5 to 8, 10)

About this release

Arista – ARCD-8608

Thanks to snobb for the updates

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DIXIE DREGS THE BEST OF THE DREGS: DIVIDED WE STAND reviews

Specialists/collaborators reviews

M.Neumann
Curious newcomers looking for a taste of southern-fried fusion will find more than enough here to whet their appetite, but don't be fooled by the record-biz hyperbole. No way is this single-disc sampler really "the best" of the (formerly Dixie) Dregs, and with a miserly running time of only 44 minutes it's hardly the most representative collection, either.

First the bad news: there isn't anything new here for the dedicated Dreghead. Ninety percent of what's being sold on the CD as the band's best music is from just three albums ("Dregs of the Earth", "Unsung Heroes", and "Industry Standard"), spanning only a limited two-year recording period, from 1980 through 1982. (The remaining selection is a scorching update of the classic rocker "Take It Off the Top", originally the kickoff to their 1978 album "What If".)

But as a beginner's guide to the group's heavy blend of instrumental Jazz-Rock (in truth more Rock than Jazz), it can be an indispensable primer. Just about everything you need to know about The Dregs is included: the impeccable musicianship, powered as always by the lightning lead guitar of Steve Morse; the dynamic interplay of keyboards and electric fiddles; and of course the inevitable hillbilly barnyard stomper (here it's the aptly titled "Pride O' the Farm"), without which any Dregs collection would be incomplete.

All three of the highlighted albums were Grammy Award nominees, but don't let that scare you away (for the true musical artist, winning a Grammy must be like getting a pat on the back from your accountant). There's enough good music here to build a springboard toward the rest of the greater Dregs catalogue. If you like what you hear, by all means take the plunge.

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