js Chico Hamilton is one jazz artist who definitely deserves more recognition and credit for being one of the more creative musicians of the 60s and beyond. If you had to pick one artist who kicked off the fusion movement in jazz, Chico would be the one, and second on that list would be guitarist Gabor Szabo, who was a perfect addition to Hamilton’s group as both were very open-minded, adaptable and entirely eclectic. “Chic Chic Chico” is not one of Hamilton’s best albums, even the title sounds rather unimaginative, but it still has plenty of good material. Joining Chico and Gabor on here is a mini-big band featuring Harold Land on tenor sax. This is west coast jazz, big on arrangements, experimentation and international influences, but its not ‘cool’ jazz as a lot of people tend to think all west coast jazz from this time period was ‘cool’ jazz.

The album’s title track is the only number recorded in New York with a different band, and it almost sounds like the famous party song, “Tequila”. Gabor’s syncopated Latin riffs on this one intertwine with the tenor sax melody in polyrhythmic fashion. The rest of the album features the west coast mini-big band. The high point on the rest of side one is “Tarantula”, a free jazz jam that has Gabor battling with Land on top of Chico’s busy drum work. Side two is a little stronger as the band gets into some extended fusion jams that would sound better if Hamilton and bassist Albert Stinson were mixed higher. Gabor’s “Swampy” features Chico doing his best New Orleans second line drumming style. This album has a couple songs that seem like jams or just filler, but top musicianship from Chico, Gabor and the others still make this an interesting listen.