Sean Trane In the wonderful 70's, when a group wanted to release a double album filled to the brim with music, it didn't have to be jam-packed of tight songs, but it could have some loose jams in different moments. AB's second album is a fairly different beast than its debut, much looser, much more ethnic and much less jazzy.The group was reduced to a sextet but numerous other changes and many guests were invited. Under a gatefold artwork showing amateur but inspired pencil drawings and some more "homemade" features giving the album an unprofessional or amateur look, without this becoming a bad thing. The first disc's opening side seems dedicated to Indian music as both track (amounting to 21 mins+) a much in the Europeans thought they could do it homage as the sitar reigns supreme over harmonium drones. On the flipside there are appears to be some slightly cosmic trends in Jorden, which is slightly odd just preceding the Kelzmer-Gypsy jazz of Charmante Yerevan. The closing lengthy Akreaka II is a slow evolving and enthralling piece, but it ends up too repetitititive.

The second disk starts on Tibetan horns (rightly so as the track is Radio Tibet), but the music evolves much and ends up improvising greatly. Finishing that side is the usual Embryo-sounding Tva Vardlar. The flipside has the gypsy-jazz Jugoslavian Dans, the Indian sitar & tabla music over a flute & piano background, but it's overstaying its welcome by a full two or three minutes. The closing Tva Hundra is a cosmic jam (possibly after an Aurora Borealis, given the electronics tweedlings)

Much less enthralling but at least as adventurous as its forerunner, AB II is not an easy piece to digest, because it tends to fuse different ethnic musical styles together, but ultimately come out only as halfway successful. So while certainly worth a listen, their second album is not really essential and therefore might be only interesting only if you thought their debut superb.