js "Bewitched" is the second and final collaboration between Fripp and Summers, and finds the duo branching out into other styles not covered on their first outing. Their first record, "I Advanced Masked", consisted of a lot of short unaccompanied guitar instrumentals that were heavily influenced by classical and folk music from Asia and Africa. The overall tone of that album was very somber and austere. "Bewitched", on the other hand, features a full backing band on many of the cuts, and is often more light-hearted than Masked. Side one of "Bewitched" opens with "Parade", which is an upbeat Police influenced 80's techno instrumental that would have been a great opening theme for an 80's sports show. This is followed by "What Kind of Man Reads Playboy", an overly long disco beat driven instrumental that features many pointless and silly solos and goes on for what seems like forever. Side one closes with "Begin the Day", which sounds like a world beat cross between Santana and The Police and features great solos from both guitarists. This song is one of the better highlights on this otherwise inconsistent album.

Side two opens with "Train". This is an excellent futuristic techno-lounge number that sounds a bit like Eno or Kraftwerk crossed with an early 60s exotic synth record. This is followed by the title track, which is a nice instrumental with a short repeating melody that recalls Eno's work on "Another Green World". The following song "Tribe", features classic King Crimson style tense chord progressions and buildups, but sounds more detailed and miniature than a Crimson song because it is played by the two guitarists, instead of a full band. The album closes with four very nice ambient instrumentals, each becoming a little more vague than the one before.

Interesting but inconsistent instrumental record from two of the finest guitarists to come from the world of rock.

Sean Trane 20th Century Schizophrenic Album

Obviously Summers' fascination of Fripp got him a second collaboration album, but this time he produced it himself, and the least we can say is that we indeed hear it right, with a New-Wavey/Police type of production. A vastly different album than its predecessor, Bewitched is very much a product of its time and has not aged well, even if there are traces of great guitar parts throughout the album. One would've hoped that the pop influences would've come from the Discipline-era Crimson, but this is definitely not a major factor in bewitched. Andy and Robert concentrate on guitars and synths on this album (even if Robert Fripp's brother Ertronics appears as well ;o))))), the bass and drums/percussions are handled by friends.

The opening Parade could be a Police track, if it was sung by Sting, and comes with an atrocious 80's sounding drum, but it also comes back in the 11-mins What Kind Of Man Reads Playboy (Robert probably only read the articles ;o)))))), although as I said, there are some wild guitar parts, but the pleasure is ruined by the 80's production and drumming. Anyway, the A-side of the album is a little too 80's poppish for my liking and unfortunately makes this album almost dispensable. Fortunately there is better to come?.

If the first notes and rhythms of Train opening the flipside are just as discouraging as the A- side, the ambiance is much less pop and quite moody, and it is announcing a change of soundscape. The gentle and subtle title track is a bit of a return to the previous I advanced masked. Tribe is the would-be title track (the front cover artwork's name is Tribe) and is very atmospheric (but not like Fripp does it) and Forgotten Steps is very much in the same mould, even if it ends as a solo classical guitar piece. The two compadres hit it solid in Guide, a Spanish-sounding theme which borders Flamenco and it my fave track on the album. The album closes on the ambient and atmospheric Image And Likeness, where the Frippertronics make their usual appearance in a Fripp album, but the Spanish guitar work is again breathtaking. .

Too bad this album is marred by everything we hate about the 80's on the first side, but Bewitched compensates with a very pleasant flipside, making this album an interesting musical psychiatric case. Despite it's unevenness, Bewitched is probably slightly more interesting than Masked, which sounds too much like other Fripp albums, at least compared to this one.