(Full Album) Red Summer 1919, An Instrumental Opera ACT I&II w/Vinnie Colaiuta
J. KIMO WILLIAMS
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"As Veterans Day , also remembered as Armistice Day, offers a moment for deep reflection on the multifaceted identities and experiences of us as Veterans. Beyond the common public perception of us as merely fighters or warriors lies a tapestry of individual stories, beliefs, and reasons for serving, unconstrained by political party lines. A poignant chapter in this narrative is that of the Black Veterans of WWI. Their journey, both on the battlefield and upon their return home, intertwines with the long-standing thread of American racism. By delving into their experiences, we are reminded of the richness of each Veteran's story and the need to move beyond monolithic representations. Let this Veterans Day be a celebration of diversity, historical understanding, and deep respect for all those who have served." J. Kimo Williams, Captain (Ret) US Army, Vietnam 1970
STORY: First World War Black veterans returned home from fighting in France, hoping to be recognized as equal citizens in this country. Despite their sacrifices and service, they faced continued oppression and harsh treatment under Jim Crow laws. The 1919 riots, also known as The Red Summer, marked a turning point as Black citizens supported by these returning veterans fought against their mistreatment for the first time.
In the late 1990s, I was commissioned by The National Opera Orchestra (Intersound Records) to arrange Mozart Arias for their instrumental orchestra release. It was quite the challenge in that the lyrics associated with opera are so important you sometimes overlook the essence of the music that supports the story.
In 2023, I decided to bring visibility to Black WW1 Veterans and wanted to tell their story in this format. This Jazz-Fusion project, titled 'Red Summer 1919: An Instrumental Opera,' is my musical approach to imagining the events leading up to the riots. While recording these tracks, I relayed the essence of what each character was saying or doing. I composed the music with a scene in mind, and the instrumentalist used their imagination to create conversations through their improvisation or (in the case of Vinnie) shape the scene through rhythm.
ACT I: Scene 1 "Prologue - The Chase" 0:00
Act I: Scene 2 - "Captured" 5:56
Act I: Scene 3 - "The Middle Passage" 8:55
Act I: Scene 4 - "Arrival" 13:05
Act I: Scene 5 - "This New World" 17:34
Act II: Scene 1 - "With Malice Toward None" 25:50
Act II: Scene 2 - "A Time For War" 31:44
Act II: Scene 3 - "If 7 Was 4 It Would Not Matter" 39:19
Epilogue 42:17
Liner notes that include each scene narrative breakdown can be found at https://omikmusic.com/rs%3A-act-i-liner-notes
Vinnie Colaiuta-Drums
Michael Brecker-Tenor Solo *
Mike Stern - Guitar Solo**
Richard Bona - Act I: Scene 1
Guitar-J. Kimo Williams (Melody)
J. Kimo Williams - Audio VST, Modeling, and Sample Programming
J. Kimo Williams - Mix Engineer/ Recording Enginneer
Jim Odgren-Alto Sax *
Carol Williams-Tenor *
Ted Hogarth-Bari Sax *
Matt Lewis-Trumpets *
Kirk Garrison-Trumpets *
Steve Berry-Trombones *
Audrey Morrison-Trombones *
Keyboards- Ben Lewis * (Solo Section)
Chad Adams-Recording Engineer
Jim Caruana-Recording Engineer
* Epilogue Only
** Act I: Scene 1 and Act 2: Scene 1