Suggest new bands/artists to JMA - New Jazz Orchestra (UK)

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The New Jazz Orchestra (NJO) was a British http://en.wikipedia.org/wiki/Jazz" rel="nofollow - jazz http://en.wikipedia.org/wiki/Big_band" rel="nofollow - big band active from 1963 to 1970.

Origins and members

The NJO was the offspring of a popular weekend jazz club which had its home at 'The Green Man' pub on Blackheath SE3, where the 'house' band was the Ian Bird Quintet^{http://en.wikipedia.org/wiki/New_Jazz_Orchestra#cite_note-0" rel="nofollow - [1]} (initially comprising http://en.wikipedia.org/w/index.php?title=Ian_Bird_%28musician%29&action=edit&redlink=1" rel="nofollow - Ian Bird , tenor sax; Clive Burrows,^{http://en.wikipedia.org/wiki/New_Jazz_Orchestra#cite_note-1" rel="nofollow - [2]} baritone sax; http://en.wikipedia.org/wiki/John_Mealing" rel="nofollow - Johnny Mealing , piano; http://en.wikipedia.org/wiki/Tony_Reeves" rel="nofollow - Tony Reeves , bass and Trevor Tomkins, drums - Mealing and Tomkins left to join the newly-formed 'Rendell-Carr Quintet' and were succeeded by Paul Raymond and Jon Hiseman respectively.

The ensemble featured many http://en.wikipedia.org/wiki/London" rel="nofollow - London -based jazz musicians, such as http://en.wikipedia.org/wiki/Harry_Beckett" rel="nofollow - Harry Beckett , http://en.wikipedia.org/wiki/Jack_Bruce" rel="nofollow - Jack Bruce , http://en.wikipedia.org/wiki/Ian_Carr" rel="nofollow - Ian Carr , http://en.wikipedia.org/w/index.php?title=Dave_Gelly&action=edit&redlink=1" rel="nofollow - Dave Gelly , http://en.wikipedia.org/wiki/Michael_Gibbs" rel="nofollow - Michael Gibbs , http://en.wikipedia.org/wiki/Dick_Heckstall-Smith" rel="nofollow - Dick Heckstall-Smith , http://en.wikipedia.org/wiki/Jon_Hiseman" rel="nofollow - Jon Hiseman , http://en.wikipedia.org/wiki/Henry_Lowther_%28musician%29" rel="nofollow - Henry Lowther , http://en.wikipedia.org/wiki/Don_Rendell" rel="nofollow - Don Rendell , http://en.wikipedia.org/wiki/Frank_Ricotti" rel="nofollow - Frank Ricotti , http://en.wikipedia.org/wiki/Paul_Rutherford" rel="nofollow - Paul Rutherford , http://en.wikipedia.org/wiki/Barbara_Thompson" rel="nofollow - Barbara Thompson , http://en.wikipedia.org/wiki/Trevor_Tomkins" rel="nofollow - Trevor Tomkins , Les Carter, Tom Harris, http://en.wikipedia.org/wiki/Trevor_Watts" rel="nofollow - Trevor Watts and http://en.wikipedia.org/wiki/Lionel_Grigson" rel="nofollow - Lionel Grigson . Neil Ardley, Gibbs, Carter, Rutherford, http://en.wikipedia.org/wiki/Michael_Garrick" rel="nofollow - Michael Garrick , and composer http://en.wikipedia.org/wiki/Mike_Taylor_%28musician%29" rel="nofollow - Mike Taylor all contributed pieces and arrangements.

The idea for the NJO was born in the autumn of 1963 out of an enthusiastic late night conversation 'about big bands and possibilities' between Clive Burrows and Les Carter (one of the clubs regular helpers and poster writer). The conversation ended with the decision to form such a band around the 'kernel' of the Ian Bird Quintet - Burrows had the 'book' (of musicians' telephone numbers) and Carter (himself a developing amateur flautist) undertook to write some arrangements to help swell the initial repertoire.

The newly-formed band finally debuted at The Green Man at Christmas, 1963 as 'The Bird/Burrows Big Band'. Following the departure (in 1964) of Ian Bird from the group, the band briefly became 'The Neoteric Jazz Orchestra' but later settled for 'The New Jazz Orchestra' (NJO).

Later in 1964, the NJO found itself leaderless (Burrows had left to go pro), largely gigless and somewhat wanting in enthusiasm. Ian Carr (who had by then joined the trumpet section) approached Les Carter (who was directing rehearsals) with the suggestion that a friend of his might bring along an arrangement for the band to play through. The' friend' turned out to be pianist and composer http://en.wikipedia.org/wiki/Neil_Ardley" rel="nofollow - Neil Ardley and the arrangement was of http://en.wikipedia.org/wiki/Duke_Ellington" rel="nofollow - Duke Ellington 's " http://en.wikipedia.org/wiki/In_a_Mellow_Tone" rel="nofollow - In a Mellow Tone ". It was not long after this that Ardley was invited by the members to take over the leadership of the NJO - a mantle which he assumed until 1970.

Under Ardley, the NJO fluctuated personnel and instrumentation in a chameleonic fashion - following the colours of his evolving arranging and composing style. However, the (almost) original pallette of instruments and personnel was at last reunited in 1993 for a celebratory 30th anniversary gig at the http://en.wikipedia.org/wiki/Barbican_Centre" rel="nofollow - Barbican Centre , London.

Discography

Western Reunion ( http://en.wikipedia.org/wiki/Decca_Records" rel="nofollow - Decca Records , 1965)
Le Déjeuner sur l'Herbe ( http://en.wikipedia.org/wiki/Verve_Records" rel="nofollow - Verve Records , 1968)