George Benson Announces Electrifying New LiveAlbum
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Topic: George Benson Announces Electrifying New LiveAlbumPosted By: snobb
Subject: George Benson Announces Electrifying New LiveAlbum
Date Posted: 08 Sep 2020 at 4:21am
George Benson Announces Electrifying New Live Album
The electrifying new album captures his intimate 2019 performance at Ronnie Scott’s Jazz Club
On November 13th, GRAMMY-winning jazz icon George Benson will release Weekend In London,
an electrifying new live album capturing his 2019 performance at
London’s intimate 250-seat Ronnie Scott’s Jazz Club. Only a handful of
lucky fans were present as the lights went down that magical night in
2019. But now, Kevin Shirley’s dynamic production is your invitation to
slide onto Ronnie Scott’s red velvet banquette and catch the sparks as
Benson’s honeyed vocal and fluid licks drive the finest live outfit in
modern jazz.
We captured a lot of the atmosphere on ‘Weekend In
London.’ It was very crowded, like it always is at Ronnie Scott’s, no
matter who’s there. We were almost touching as we were playing, people
all up on the bandstand. But I’m always happy to be in those
surroundings. A lot of big Benson fans were there – and some of the
screaming ladies. It was a fantastic night. – Kevin Shirley
The 2019 show that became Weekend In London
was another fabled night to go down in the club’s folklore. This
hard-bitten jazzman might prefer spontaneity to setlists, but this
latest live album nods to many of his countless career peaks, whether
he’s opening with the deathless groove of 1980’s US #4 smash “Give Me
The Night,” revisiting fan favorites like “Love X Love” and “In Your
Eyes,” or breathing fresh mojo into classic covers like Dave
Bartholomew’s “I Hear You Knocking” and Donny Hathaway’s “The Ghetto.”
“We don’t plan the show out in advance,” explains Benson. “But we know
there’s things we gotta play, and if you leave too many out, you’re in
for a troubled night. We know what people have come to hear. So I’ve got
half the battle won.”
For jazz fans, of course, part of the appeal lies in the improvisation – and Weekend In London
furthers Benson’s reputation as the best in the business. “Basically,
the whole show is improvised except the melody itself and the ensemble
playing,” he explains. “We play the arrangements, to remind the audience
what song they’re listening to, but then we can go crazy and do all the
improvisation.”
As an all-time icon and Grammy-winning giant of
jazz, we have grown used to seeing George Benson on the stages that
befit his sky-high status. During a six-decade career marked by awards,
acclaim and Billboard-topping output, the Pittsburgh, Hill
District-born veteran has earned his place in both the history books and
the biggest venues around the world. So it’s a rare treat – and a whole
different thrill – to find this megastar going nose-to-nose with the
breathless 250-capacity crowd at London’s most prestigious bolthole. “I
like that kind of intimacy,” says Benson. “I can feel the love when it’s
up close and personal.”
If Benson sounds utterly at home on
Ronnie Scott’s cramped stage, that’s because it’s how he started out,
all those years ago, before fame came calling. From the age of seven,
the kid with the golden voice known as Little Georgie Benson was a
regular fixture at the street corners, drug stores, jazz joints and
R&B houses of his native Pittsburgh. Yet the young man swiftly rose
up the rankings, taking requests from punters to cutting his first sides
with RCA, still aged just ten. As Benson’s ageless career has crossed
over the decades, he’s walked a perfect tightrope, still commanding a
fierce respect among the most discerning jazz audiences, while firing
off hit singles that are loved the world over. His most recent release, Walking To New Orleans – his first on Mascot Label Group – masterfully reinterprets the hits of Chuck Berry and Fats Domino.
It’s
been a long and winding road from the juke-joints of Pittsburgh to the
beating heart of the London jazz scene, and George Benson has been great
company every step of the way. Now, on ‘Weekend In London,’ the same
club that hosted that young hotshot back in the early-’70s welcomes back
the older, wiser legend to burn down the house. Perhaps the compère
says it best: “You don’t get stars this big in rooms this small very
often, ladies and gentlemen. Please be prepared to be dazzled – Mr.
George Benson…!”
Cruise Control is one of my favorite
instrumentals because it was completely off the cuff. I kept getting
ideas as we got into the song and one of the ideas was to inject vocal
inserts at different places during the improvisational part of the
performance. – George Benson