Igor91 The following is a review that I originally published on the sister website of Jazz Music Archives, Progarchives, on 12/27/16:

Dedalus' stellar self-titled debut is a prime example of 70's jazz rock experimentation at its finest. All members are excellent musicians, displaying a knack for mixing jazz, funk, rock, and a touch of avant-garde, laced with psychedelia. I won't go into the deatils of very track, but I'll go over a couple high points. The opening number, "Santiago," displays the band's versatility by injecting a psychedelic space-out section that reminds me of Jimmy Page using the bow on his guitar for Led Zeppelin's "Dazed and Confused", although I believe Dedalus is using an electrified cello in this section. The track "CT 6" has one of the coolest jazz rock grooves I have ever heard, and I wouldn't be surprised if some hip hop artist has sampled it already. The album must really be heard by anyone interested in experimental jazz rock from the 70's. The band would go off the deep end for their follow up, "Materiale Per Tre Esecutori E Nastro Magnetico," which is also included on my CD copy, and I won't go into that here. Anyway, Dedalus' debut is essential listening for jazz rock aficionados. 5 stars!

siLLy puPPy Just who are those four dudes hiding behind the clocks on the album cover? Must be DEDALUS! This band emerged from the Turin, Italy scene in the early 70s and delivers some of the most varied and interesting jazz-fusion from the era on their eponymous debut album. The name DEDALUS apparently comes from Daedalus who was the inventor of the labyrinth in Greek mythology. Like their namesake, this band delivers a labyrinth of extremely well-crafted jazz- fusion that holds up well after many decades. This was another good find for the short-lived Trident Records which also hosted some other greats like Semiramis and Biglietto per l'Inferno. There was another folk rock band with the same name from Italy just to confuse everyone!

This album is really a brilliant concoction of steaming jazz-fusion laced with healthy doses of space rock. In fact at times they drop the jazz-rock all together and venture into Krautrock territory. This is an all instrumental album that finds Fiorenzo Michele Bonansone (keyboards, cello, vocals), Marco Di Castri (guitar, sax), Furio Di Castri (bass) and Enrico Grosso (drums) synergizing their energetic and eclectic talents to create a nice mix of styles that takes a little from the jazziest sounds of the Soft Machine and mixes in some highly eclectic avant-garde jazz, psychedelic freak outs and energetic solos. The sound despite the tempo is always warm and inviting and can range from frantic Mahavishnu Orchestra type workouts to subdued Weather Report passages.

This one has really been a grower. Although i liked it a lot upon first listen, it has managed to burrow deep into my psyche. It just incorporates enough diversity and technical prowess to keep me thoroughly entertained upon repeated listens. If dreamy syncopated rhythms with tasty solos and tight group interaction is what you're craving in your jazz-fusion experience then you should look no further than this debut album by DEDALUS. This delivers for both jazz lovers and progressive rock lovers alike. Unfortunately they would never release another album like this again and moved into even more experimental musique concrète for their second release. If you have one of the newer remastered versions of this you will find the second album tacked onto the end. In my case it's not even listed as being on the album. It's just a surprise!

aglasshouse Ever imagine a universe where Icarus didn't fly too close to the sun? Well, obviously he would have gone on to form a wonderful little jazz band named after his beloved father, Daedalus. Somewhere along the way he forgot the 'a' in his name, most likely due to the one too many ouzos he'd downed the night before in the name of celebration.

Anyhow, this little obscure gem of a group comes from the wonderful country of Italy. They released their first album in 1973, and it was their only album featuring their complete original quartet, as their bassist Furio Di Castri departed after it was released. The album, self-titled Dedalus, is a cool combination of the free-jazz style of Chick Corea and the slightly avant- garde nature of Mahavishnu Orchestra, if I were to put juxtapose it with it's bedfellows. Much of the album is surprisingly spacey, but in the kind of way that cool jazz can just be so....'out there' at times. The best of examples of this being the two epics 'C.T. 6' and 'Santiago' (the latter being the superior in my opinion).

A glaring problem that becomes rather annoying after a few listens through is the incessant noodling that goes on (generally) towards the latter half of the song. It's not the worst avant-garde elements they could have mixed in but it does tend to ruin the atmosphere they so easily crafted. If I were to compare it to something I would say pre-Kraftwerk Organisation's Tone Float from 1969, which I shiver when thinking of associating it with anything particularly tasteful. This is the main reason why 'Leda' is my favorite track; it's devoid of any of the aforementioned. Yet, it also has a tranquility provided mainly in part by that classic floaty synthesizer (the guitar and drums are some of the best as well). That is not enough for me to hate the album though in any case, because the music still remains extremely pleasant for the majority of it's duration.

Criminally unknown and underrated, I want to the best of my ability to spread the world of this little-known album. Hell, it's got me hooked for the remaining material of the band, so why don't you get in on it as well?

Miler72 I just love running across these obscure fusion albums, like this Italian band Dedalus. They released their self-entitled debut in 1973 on the Trident label, which was associated with several Italian prog acts whose original LPs now command big money like Semiramis and Biglietto per L'Inferno. Dedalus was nothing like those two groups, but a fusion group. Lots of electric piano and sax, occasional spacy synthesizers, and some trippy passages that I really enjoy. I really love that '70s vibe these guys came up with. They frequently get compared to Soft Machine, but obviously they mean the post-Robert Wyatt Soft Machine when they became more fusion and less psychedelic jazz rock. Dedalus released a followup album in 1974 on Trident, but that one was full-on avant garde that bears so little resemblance to their debut it's hard to believe it was the same band. I really enjoyed the cover, where people's heads were placed by watches. If you're looking for more obscure fusion worth getting, give this one a try!