PORTICO QUARTET — Portico Quartet (review)

PORTICO QUARTET — Portico Quartet album cover Album · 2012 · Nu Jazz Buy this album from MMA partners
3.5/5 ·
Sean Trane
Third studio album from the Portico Quartet, now famous for their use of the Hang drums. Through a very un-committing artwork (presenting their names broken down, multiplied and colourized, the quartet still features the sax as the lead instrument, and if their signature instrument (the Hang) is a bit less present, you’re still unmistakably in the usual Portico soundscapes in the first half of the album. However things tend to change dramatically for the second part and veer very post-ambient.

The group still dishes out the same kind of exciting, but thoughtful fusion as they did in their first two albums, yet managing to renew themselves sufficiently to avoid repetition. Some tracks are more reflective and calmer, sometimes even approaching some post-rock soundscapes (Spinner), others developing some strong electronic elements first (start of Rubidium), then veering post-minimalist (the second part of Rubidium). At times, the album also bears an ECM reminiscence that enters the post-rock minimalism mix (Hot Climates). A bit surprising is the Bjork-like vocal appearance of Steepless. The mixed electronic moods (In some weird Tortoise way) continues 4096 Colours and onwards to the closing Trace.

A fairly different album from Portico Quartet, where the signature Hang drum is much less present and the second half has little to do with their usual soundscapes, but is no less spellbinding, but in a very different manner.
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