Memphis jazz great Harold Mabern, a product of the city's
fertile high school music scene who became a master of soulful
"post-bop" piano, has died. He was 83.
He was known for playing with such legends as Miles Davis and Sonny Rollins.
Mabern's death was announced Thursday by his current
record label, Smoke Sessions Records, based in New York, where Mabern
lived much of his adult life. A cause of death was not announced.
Attending Douglass and then Manassas High School (which
was famed for its music program), Mabern belonged to an unparalleled
generation of Memphis jazz musicians that came of age in the 1950s. That
generation included pianist Phineas Newborn Jr., trumpet player Booker
Little and saxophonists George Coleman, Frank Strozier and Hank Crawford
in its ranks.
Although Mabern studied music at a Chicago
conservatory, "I say that I got my knowledge from the university of the
streets," he told the Knoxville News Sentinel in a 2012 interview. "You
don't have to go to school to learn how to play this music."
After moving to New York, Mabern toured and played with
some of jazz's most significant vocalists and instrumental and
compositional innovators, including Davis, Rollins, Wes Montgomery and
Sarah Vaughan.
He paid tribute to his roots with his first album as a
band leader, 1968's "A Few Miles from Memphis," where he was joined by
fellow Memphian George Coleman. Another 20-plus albums as a leader
followed over the next five decades, including a 1995 tribute to
Newborn, "For Phineas," and 1970's "Greasy Kid Stuff!" which showed the
influence of funk and fusion music.
In a review of Mabern's 1978 album "Pisces Calling," Marc
Myers, author of "Why Jazz Happened," wrote: "Mabern's fingering is
commanding and lyrical. His chords aren't merely played but hurled like
fistfuls of darts, and there's an urgent snap to his delivery."
In the 1990s, Mabern joined a younger generation of
Memphis jazz pianists — including James Williams, Mulgrew Miller and
Donald Brown — for a series of albums and tours as "The Contemporary
Piano Ensemble."
Mabern also taught music at New Jersey's William Paterson
University for 36 years, influencing several generations of students
and players. "I don't consider myself a teacher," Mabern told the News
Sentinel. "I'm an advanced student. You never stop learning. If you stop
learning, you might as well go crawl in a hole somewhere."
He performed several times in recent years in his
hometown and had been scheduled to appear again locally in January at
the Germantown Performing Arts Center.
Mabern made what would be his final appearance in Memphis
in April of 2018, where he performed and was honored by Rhodes
College’s Mike Curb Institute for Music. He was presented with a Beale
Street Brass Note by Curb Institute director and longtime friend John
Bass.
“I’m not sure if there is a musician who epitomized or
represented Memphis better than Harold Mabern," Bass said. "His playing
stretched the boundaries of music, but he always just described himself
as a blues man.
“He shared his knowledge and stories with so many people,
and I’m grateful that he shared some of them with me," Bass
added. "I’ll never forget seeing grand pianos literally shake under his
fingers, or his laugh, and I’ll miss him.”
Published 1:05 AM EDT Sep 20, 2019
from https://eu.commercialappeal.com