azz has a more eclectic profile than usual at this year’s
Colours of Ostrava 2019, as an assorted lot from the relentless march
of Sons of Kemet, who seem to be perfectly chosen for the festival’s
overwhelming backdrop of post-Industrial coal-mining factory ruins, to a
gospel-inspired former member of Snarky Puppy, Cory Henry and the Funk
Apostles, the Italian group Paolo Fresu Devil Quartet, ECM artist
Mathias Eick, and Brooklyn’s Red Barrat among up-and-coming newer
groups.
Sons of Kemet from the UK are led by tenor saxophonist, Shabaka
Hutchings, and Seb Rochford, drummer, and leader of the alternative jazz
phenomenon Polar Bear. Shabaka and Rochford have become faces of a new
generation of British jazz that is not afraid to have a socio-political
edge. They are also both highly sought after musicians on many more
fronts, as in Seb Rochford’s case, including work on the soundtrack of
“High Life,” the newest Sci-Fi film by the French auteur Claire Denis.
Along with Theon Cross on tuba, and Tom Skinner also on drums, Sons
of Kemet are a force of raw energy with West African and Caribbean
rhythms and wild horns ala New Orleans marching bands with the aim to
turn audiences into a mass hypnotic dance frenzy, or a celebration of
peaceful resistance.
Though not at all musically like the jazz avant-garde of the 60s and
70s, they are similar to that avant-garde in spirit. Appropriately, Sons
of Kemet’s newest release is on Impulse Records, jazz’s leading
recording label for political/protest jazz of the 60s and 70s, most
notably “The Cry of My People” and “Attica Prison Blues” by Archie
Shepp, as well as John Coltrane’s last round of interstellar recordings.
Another upbeat festival-friendly group is Cory Henry and the Funk
Apostles, playing a 21st-century funk led by Hammond B3 organist and
vocalist Henry with musicians that carry on the timeless sound and
energy of James Brown or the early jazz-funk fusion dance music of
Earth, Wind & Fire.
The Paulo Fresu Devil Quartet is a calmer affair, despite the name.
Led by Fresu on trumpet and flugelhorn, they have a new recording “Carpe
Diem” (2018). Fresu is a well-established leader, arranger, and
composer from Sardinia, who has recorded for EMI, Blue Note, Columbia,
and RCA. Another trumpeter with a softer or gentle touch is Mathias
Eick, from Norway. He is also an EMI recording artist with a new
release, “Ravensburg” (2018). These two are relaxing or chill-out jazz.
Red Barrat is a Brooklyn-based ensemble playing “Bhangra Funk—Dhol
‘n’ Brass” led by dhol drummer Sunny Jain, and vocalist-trumpeter, Sonny
Singh. Combining the rhythms of North Indian Bhangra (Bollywood), with
New Orleans jazz-style horns. Their other influences include the soulful
funk of vintage James Brown to the NYC downtown avant-garde jazz-party
band Sex Mob, with Eastern European Gypsy brass/Balkan beats all rolled
up into one big joint of world fusion party music.
A late addition is Youn Sun Trio Nah, led by the South Korean
vocalist, who has been based in Paris since 1995, and so appropriately,
Le Monde has a recommendation for her that is hard to ignore: “Youn Sun
Nah is a UFO touching the universe of music with a magnificent voice and
passionate originality.”
Overall, this edition’s Colours of Ostrava International Music
Festival has first-rate jazz for all tastes in addition to The Cure, and
others across genres like ZAZ, Mogwai, Kronos Quartet, Florence + The
Machine, Etienne de Crecy, Nicola Cruz, etc. for this four-day/evening
music and cultural summer fest.
Festival Infomation/TIX: https://www.colours.cz/artists/music-international/jazz" rel="nofollow - Colours Of Ostrava 2019 from https://jazzineurope
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