When
people think of Brazilian music, the first thing that comes to mind
is bossa nova. But TED FALCON, a jazz violinist, mandolinist
and composer, fell in love with a different style of Brazilian music
called “choro.” Falcon’s newest album, TÔ CHEGANDO (toh
shay-gan-do) (Almost There), comprises 14 original compositions
that celebrate the happy, danceable, urban rhythms of choro music.
Falcon
plays both violin and mandolin on the album, which was recorded in
São Paulo, Brazil, and Los Angeles with different bands. The São
Paulo band consists of ZÉ BARBEIRO (guitar), FABRICIO ROSIL
(cavaquinho), and LÉO RODRIGUES (pandeiro, percussion). The
L.A. musicians are COLIN WALKER (7 string guitar), WESLEY
AMORIM (7 string guitar, cavaquinho, gypsy jazz guitar), JOHN
LEFTWICH (acoustic bass), ANAT COHEN (clarinet), CLARICE
CAST (pandeiro, percussion), BEN REMPEL (pandeiro,
percussion), DOUGLAS LORA (7 string guitar), CATHERINE BENT
(cello), RUMI INOUE (flute), and FAY ROBERTS (flute).
Falcon
is a prolific Los Angeles-based performer and recording artist as
well as an educator and author of several Brazilian music books. TÔ
CHEGANDO is his 11th album. Falcon has been
playing music since he was five years old. His father was a
professional jazz and classical guitarist and his first music
teacher. He received a Bachelor of Arts degree from the University of
Pittsburgh and a masters in music from Indiana University.
Falcon
had been playing jazz gigs when he decided to go to Brazil to learn
more about the music and culture. It was a decision that changed his
life. He not only fell in love with the country, but he also fell in
love with a Brazilian woman, whom he wound up marrying. The city of
Brasilia became his primary residence from 2008 to 2016 while he
became proficient in Portuguese, studied Brazilian music, composed
many choros, and taught workshops.
Although
the word choro (pronounced shoru) means "cry" or
"lament," the music is vibrant and cheerful. Considered the
first urban popular music in Brazil, choro was born in 19th
century Rio de Janeiro. It is an instrumental music that combines
elements of European classical music with African rhythms. Often
played at informal gatherings called “rodas de choro,“ choro is
characterized by the virtuosity and improvisation of its participants.
Falcon
not only became a devotee of the music, but he also pushed its
musical boundaries. Instrumentation for choro bands usually consists
of either a flute, mandolin, clarinet or saxophone as the lead
instrument and the cavaquinho (a small, four string guitar), guitars
and pandeiro (a hand drum) as accompaniment instruments.
Falcon
introduced the violin to the mix of traditional choro instruments and
has become the premier choro violinist in the world.
Returning
from Brazil in 2016, Falcon become an Adjunct Professor of Music at
Whittier College, where he taught World Music, Latin Music and the
Music of the Caribbean. He currently teaches at the Silverlake
Conservatory of Music, a non-profit school that provides needy
children with free lessons. He has performed with some of the most
renowned names in Brazilian instrumental music, including Hermeto
Pascoal, Gilberto Gil, Armandinho Macedo, Dominguinhos, and Hamilton
de Holanda.
Falcon
has also been instrumental in spreading choro music in the U.S. He
performs around Southern California and at venues across the country.
He also runs the LA Choro Club, which holds monthly jam sessions at
the Ernest E. Debs Regional Park in Highland Park. Anyone is free to
join in on whatever instrument they choose, no matter their skill
level.
The
phrase “Tô
Chegando” means "almost there" or “I’m arriving” in
English. Falcon explains, “Here in the U.S., we say “I'm almost
there” when we are literally close or a few minutes away. I learned
that when a Brazilian says "Tô chegando,” you just never know
how long it will take. It could be an hour or more. It just means
that they intend to arrive eventually. I thought this was a very
funny cultural difference.”
While
living in Brazil in 2009, Falcon recorded four original songs,
“Quebra Galho,” “Tô Chegando” “Kip no Planalto,” and “San Telmo.”
Since he did not have enough music to make an entire album, he never
completed the project. When he decided to record TÔ CHEGANDO, he discovered that he had
lost the sessions due to several computer mishaps. However, through
sheer luck, his friend, Kip Hargrove, for whom one of the tunes was written,
had visited him in Brazil and still had a CD with the songs 14 years
later. The remastered versions of the songs appear on the album.
Falcon
continues to expand the musical boundaries of choro on TÔ CHEGANDO with unique instrumentation
and mixing in other musical styles. For example, on “Salsa Samba,” he
blends Latin cultures by combining choro with Cuban music. “Into the
Chorosphere” features clarinet maestro Anat Cohen. And then on
“Memories of Home,” he used a string quintet and combined a swinging
pop sound with the original classical choro sound.
Falcon
is a highly accomplished musician and composer, and the music on TÔ CHEGANDO is the best of two worlds. Choro is often labeled the
“jazz of Brazil.” Improvisation
is at the heart of choro, and its origin is a hybrid of African, European
and American musical styles. While Falcon stays true to its rich
roots, he pushes
the envelope and opens the music to even wider influences.
# # #
TÔ
CHEGANDO
will be available on all platforms August 19th, 2023.
Online:
www.tedfalcon.com
facebook.com/tedinbrazil
Instagram@tedfalconmusic
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