On
STRACCI (stra-chi), pianist, composer, and arranger MICHAEL
RAGONESE pays tribute to his Italian-American heritage with six
original tracks and two jazz standards performed in a trio setting. STRACCI
is the sophomore outing for Ragonese and follows Day to
Day (2019). All About Jazz says, “Ragonese's writing is
best described as adventurous and exciting while remaining lyrical
and approachable. The many hours he has spent playing standards are
evident, as is his love of modern players and composers.”
Although
Ragonese is a young musician, graduating from Cal State Northridge in
2014 with a degree in jazz studies, he has been playing piano for 25
years. His mother, a singer, guitarist, and songwriter of worship
music, moved the family from New Jersey to Los Angeles to pursue a
career in music and has established a significant presence in the
Southern California Catholic community. Born in Los Angeles, Ragonese
began piano lessons at the age of six, studying classical music for
nearly 10 years. His mother rounded out his early music education by
teaching him Pop and R&B.
Ragonese
was a natural on the piano. He performed in many classical
competitions and recitals, but by the time he was 16, he was becoming
disenchanted. Although he enjoyed the rigor of classical technique,
he also felt confined by it. When a family friend, who was a jazz
pianist in his mother’s band, gave him an album by Bill Evans, he was
completely blown away and immediately knew what he wanted to do.
After graduating from Cal State Northridge, it didn’t take long for
him to work as a much sought-after accompanist. He soon began
touring, performing, and recording with some of the most notable
names in the music industry, including Barbra Streisand, Dave Koz,
Charnett Moffett, Walter Smith III, Mark Turner, Bennie Maupin,
Engelbert Humperdinck, Rick Braun, Aubrey Logan, Grace Kelly, and Bob
Sheppard, among others.
Ragonese
was inspired by his teachers and is passionate about mentoring young
musicians coming up. He founded the Rags School of Music in 2021 as a
training ground for beginning players as well as more advanced older
students who are interested in pursuing careers in music. Presently,
the school employs three piano teachers and one voice teacher, but
Ragonese is looking forward to adding more instructors. Additionally,
he co-leads a jazz summer camp that hosts some of the brightest high
school students from across the country.
Day
by Day,
Ragonese’s debut, focused on horn arrangements. However, the trio
format on STRACCI highlights his inventive piano
playing and compositions. Ragonese is joined by two outstanding
musicians, MARK FERBER, an in-demand drummer who has appeared
on over 200 albums, and LUCA ALEMANNO, an Italian bass player
who studied at the Thelonious Monk Institute, and tours around the
world with artists like Dee Dee Bridgewater, Joe Lovano, George
Garzone, and Stanley Jordan. Alemanno also played on Ragonese’s
debut. Ragonese, who speaks Italian, became friends with Alemanno
after they met at the Thelonious Monk Institute in Los Angeles.
Since
he was a kid, Ragonese’s nickname has been Rags, so he named the
album STRACCI, meaning “rags” in Italian. Although he
pays respect to an older generation of pianists, his major influences
are more contemporary. He’s influenced by L.A. players Vardan
Ovsepian, Gerald Clayton, Josh Nelson, as well as VJ Iyer, and
especially Brad Mehldau, who, like Ragonese, has a strong element of
classicism in his music.
The
album opens with “Solar,” a Miles Davis composition that was also
covered by Mehldau. Ragonese gives the tune an angular, modern jazz
spin. About “I’ll Be Seeing You,” the second non-original, Ragonese
says, “This is my favorite standard. I probably listened to that song
a thousand times. We played it straight-ahead without an
arrangement.”
“Escape,”
a Ragonese original, begins with a classical intro and ends with a
chord vamp featuring a high-energy solo by Ferber. “In Attesa” is a
dark tune that was recorded live in the studio, with no separation.
It features classical harmonies and an open drum groove with Ragonese
keeping time on the piano. “In Attesa” means “waiting” in
Italian. Ragonese wrote the piece after he was in a serious
motorcycle accident. Although he fully recuperated, he couldn’t walk
for a year, and the title and somber tone of the tune reflects how he
felt while he was waiting to return to normal life.
Ragonese
considers “Tides of Tomorrow Part 1” and “Tides of Tomorrow Part 2”
as a suite. He always plays them together in live shows. On “Part 1,”
which is in 3/4, Ragonese plays ostinato in his left hand and the
melody in his right hand. “Part 2” is in 4/4. Both parts have a dark
hue. Ragonese wrote “La Poggia,” which means “rain” in Italian,
during the rainy season in Los Angeles. His staccato playing sounds
like quickly falling raindrops. Ferber’s drum solo is featured in the
B section. Ragonese closes the album with “Copycat,” a modern swing
composition with complex rhythms and harmonies.
Michael
Ragonese’s classical training and modern jazz sensibilities make STRACCI
a unique and fascinating listen. His piano chops are solid, his
compositions are imaginative, and his arrangements provide space and
allow all the players to stretch out. With solid backing by Luca
Alemanno and veteran Mark Ferber, STRACCI is an
exciting addition to the jazz piano trio oeuvre.
# # #
STRACCI
will be
available on selected platforms on August 25, 2023 on Rags Records.
Online:
Michaelragonese.com
Facebook.com/ragonesemusic
@Mikeragss
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