MASAHIKO SATOH

Avant-Garde Jazz / Post Bop / Jazz Related Soundtracks / Fusion / Third Stream / Progressive Big Band / World Fusion / RnB / Pop/Art Song/Folk / Jazz Related Rock / Jazz Related Improv/Composition / Eclectic Fusion • Japan
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Born in Tokyo, in 1941, Masahiko Satoh's earliest influences came from Olivier Messiaen and Yuji Takahashi, although the pianist earned his living playing in various jazz combos in Japan, Europe and the USA throughout the late 1950s and early 1960s. Between 1966 and '68, the young Satoh studied at California's Berkeley Music School, after which his trio won the prestigious 1969 Swing Journal Award for their debut album PALLADIUM. Soon after, Satoh composed the ELECTRUM material for Ishikawa's Count Buffaloes, then arranged and played piano on the Columbia Records LP PERSPECTIVE by the ever experimental Toshiyuki Miyami & the New Herd Orchestra. For his next trio LP DEFORMATION, recorded in concert at Tokyo's Sankei Hall, Satoh asked his musicians to respond to a reel-to-reel tape recorder playing segments of the New Herd's woodwind section, and things started to get interesting. A pure solo jazz LP HOLOGRAPHY came next, but the read more...
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MASAHIKO SATOH Discography

MASAHIKO SATOH albums / top albums

MASAHIKO SATOH Masahiko Sato Trio ‎: Palladium album cover 3.50 | 1 ratings
Masahiko Sato Trio ‎: Palladium
Avant-Garde Jazz 1969
MASAHIKO SATOH Kayobi No Onna [佐藤允彦女を奏う - 火曜日の女] album cover 0.00 | 0 ratings
Kayobi No Onna [佐藤允彦女を奏う - 火曜日の女]
Jazz Related Soundtracks 1970
MASAHIKO SATOH Piano Deluxe Album album cover 0.00 | 0 ratings
Piano Deluxe Album
Avant-Garde Jazz 1970
MASAHIKO SATOH Masahiko Sato Trio ‎: Swinging Poem album cover 0.00 | 0 ratings
Masahiko Sato Trio ‎: Swinging Poem
Avant-Garde Jazz 1971
MASAHIKO SATOH Masahiko Sato, Jiro Inagaki & His Big Soul Media : Bridge over Troubled Water album cover 0.00 | 0 ratings
Masahiko Sato, Jiro Inagaki & His Big Soul Media : Bridge over Troubled Water
RnB 1971
MASAHIKO SATOH Amalgamation album cover 3.48 | 3 ratings
Amalgamation
Fusion 1971
MASAHIKO SATOH Masahiko Sato And Wolfgang Dauner ‎: Pianology album cover 3.00 | 1 ratings
Masahiko Sato And Wolfgang Dauner ‎: Pianology
Avant-Garde Jazz 1971
MASAHIKO SATOH Masahiko Satoh Trio : Transformation '69/'71 album cover 0.00 | 0 ratings
Masahiko Satoh Trio : Transformation '69/'71
Avant-Garde Jazz 1971
MASAHIKO SATOH Switched on East-Electronic Japan album cover 0.00 | 0 ratings
Switched on East-Electronic Japan
Jazz Related Improv/Composition 1971
MASAHIKO SATOH Samadhi: Masahiko Meets Gary album cover 3.50 | 1 ratings
Samadhi: Masahiko Meets Gary
Avant-Garde Jazz 1972
MASAHIKO SATOH 佐藤允彦 / 宮間利之とニュー・ハード : 邪馬台賦 (Yamataifu) album cover 0.00 | 0 ratings
佐藤允彦 / 宮間利之とニュー・ハード : 邪馬台賦 (Yamataifu)
Progressive Big Band 1972
MASAHIKO SATOH M. Sato And 1864 Cotton Field Rock Band ‎: Wonderful Moog Sound album cover 0.00 | 0 ratings
M. Sato And 1864 Cotton Field Rock Band ‎: Wonderful Moog Sound
Jazz Related Rock 1972
MASAHIKO SATOH Dema (デマ Rumour) album cover 4.00 | 1 ratings
Dema (デマ Rumour)
Avant-Garde Jazz 1973
MASAHIKO SATOH Belladonna (Colonna Sonora Originale Del Film) album cover 0.00 | 0 ratings
Belladonna (Colonna Sonora Originale Del Film)
Jazz Related Soundtracks 1975
MASAHIKO SATOH 那由陀現成 (Nayutagenjo) album cover 0.00 | 0 ratings
那由陀現成 (Nayutagenjo)
Progressive Big Band 1976
MASAHIKO SATOH Yǔn - Solo Piano-2 album cover 0.00 | 0 ratings
Yǔn - Solo Piano-2
Avant-Garde Jazz 1976
MASAHIKO SATOH マグノリアの木 (Magunoria no Ki) album cover 0.00 | 0 ratings
マグノリアの木 (Magunoria no Ki)
Avant-Garde Jazz 1977
MASAHIKO SATOH Pavane Lachrymae album cover 0.00 | 0 ratings
Pavane Lachrymae
Avant-Garde Jazz 1978
MASAHIKO SATOH Alexander Scriabin ‎– Le Poème De L'Extase album cover 0.00 | 0 ratings
Alexander Scriabin ‎– Le Poème De L'Extase
Third Stream 1979
MASAHIKO SATOH All-In All-Out album cover 0.00 | 0 ratings
All-In All-Out
Fusion 1979
MASAHIKO SATOH Satoh Masahiko & Medical Sugar Bank (MSB) album cover 0.00 | 0 ratings
Satoh Masahiko & Medical Sugar Bank (MSB)
Avant-Garde Jazz 1980
MASAHIKO SATOH Chagall Blue album cover 0.00 | 0 ratings
Chagall Blue
Avant-Garde Jazz 1980
MASAHIKO SATOH SATOH Masahiko & Medical Sugar Bank: MSB Two album cover 0.00 | 0 ratings
SATOH Masahiko & Medical Sugar Bank: MSB Two
Avant-Garde Jazz 1981
MASAHIKO SATOH パンダパンダ album cover 0.00 | 0 ratings
パンダパンダ
Jazz Related Soundtracks 1982
MASAHIKO SATOH The Sato Masahiko Trio : Pop Color album cover 0.00 | 0 ratings
The Sato Masahiko Trio : Pop Color
Pop/Art Song/Folk 1983
MASAHIKO SATOH Masahiko Sato Trio : Brink album cover 0.00 | 0 ratings
Masahiko Sato Trio : Brink
Post Bop 1984
MASAHIKO SATOH Masahiko Satoh Featuring Eddie Gomez And Steve Gadd ‎: As If ... album cover 3.50 | 1 ratings
Masahiko Satoh Featuring Eddie Gomez And Steve Gadd ‎: As If ...
Fusion 1985
MASAHIKO SATOH Masahiko Satoh, Toots Thielemans, Yukihide Takekawa ‎– YaKsa (Original Motion Picture Soundtrack) album cover 0.00 | 0 ratings
Masahiko Satoh, Toots Thielemans, Yukihide Takekawa ‎– YaKsa (Original Motion Picture Soundtrack)
Jazz Related Soundtracks 1985
MASAHIKO SATOH Amorphism album cover 3.07 | 3 ratings
Amorphism
Fusion 1986
MASAHIKO SATOH Piano Works album cover 0.00 | 0 ratings
Piano Works
Third Stream 1993
MASAHIKO SATOH Final Fantasy: Legend of the Crystals Wind and Fire Chapter album cover 0.00 | 0 ratings
Final Fantasy: Legend of the Crystals Wind and Fire Chapter
Jazz Related Soundtracks 1994
MASAHIKO SATOH Reflections album cover 0.00 | 0 ratings
Reflections
Avant-Garde Jazz 1997
MASAHIKO SATOH Stoy album cover 0.00 | 0 ratings
Stoy
World Fusion 1997
MASAHIKO SATOH Morning Delusion album cover 0.00 | 0 ratings
Morning Delusion
Avant-Garde Jazz 1998
MASAHIKO SATOH Liberissimo album cover 0.00 | 0 ratings
Liberissimo
Avant-Garde Jazz 1999
MASAHIKO SATOH Plectrum album cover 0.00 | 0 ratings
Plectrum
Avant-Garde Jazz 2000
MASAHIKO SATOH Nagi album cover 0.00 | 0 ratings
Nagi
Avant-Garde Jazz 2001
MASAHIKO SATOH Stoy II album cover 0.00 | 0 ratings
Stoy II
World Fusion 2003
MASAHIKO SATOH Masahiko Plays Masahiko album cover 0.00 | 0 ratings
Masahiko Plays Masahiko
Avant-Garde Jazz 2003
MASAHIKO SATOH Masahiko Plays Masahiko #2 album cover 0.00 | 0 ratings
Masahiko Plays Masahiko #2
Avant-Garde Jazz 2004
MASAHIKO SATOH Masahiko plays Masahiko #3 album cover 0.00 | 0 ratings
Masahiko plays Masahiko #3
Avant-Garde Jazz 2005
MASAHIKO SATOH 豹は走った The Creature Called Men album cover 0.00 | 0 ratings
豹は走った The Creature Called Men
Jazz Related Soundtracks 2006
MASAHIKO SATOH Nyozegamon album cover 0.00 | 0 ratings
Nyozegamon
Avant-Garde Jazz 2007
MASAHIKO SATOH Masahiko Plays Masahiko : Origin album cover 0.00 | 0 ratings
Masahiko Plays Masahiko : Origin
Avant-Garde Jazz 2007
MASAHIKO SATOH Rocking Chair album cover 0.00 | 0 ratings
Rocking Chair
Post Bop 2007
MASAHIKO SATOH パンダコパンダ~サウンドトラック完全版~ album cover 0.00 | 0 ratings
パンダコパンダ~サウンドトラック完全版~
Jazz Related Soundtracks 2008
MASAHIKO SATOH My Wonderful Life : Togashi Masahiko Ballad Collection album cover 0.00 | 0 ratings
My Wonderful Life : Togashi Masahiko Ballad Collection
Avant-Garde Jazz 2009
MASAHIKO SATOH Haou Gigaku : Based on Bach album cover 0.00 | 0 ratings
Haou Gigaku : Based on Bach
Third Stream 2009
MASAHIKO SATOH Masahiko Satoh Trio : Edo Gigaku album cover 0.00 | 0 ratings
Masahiko Satoh Trio : Edo Gigaku
Avant-Garde Jazz 2011
MASAHIKO SATOH Doushin Gigaku album cover 0.00 | 0 ratings
Doushin Gigaku
Avant-Garde Jazz 2014
MASAHIKO SATOH Hyojun Gigaku album cover 0.00 | 0 ratings
Hyojun Gigaku
Post Bop 2016

MASAHIKO SATOH EPs & splits

MASAHIKO SATOH Twilight Monologues album cover 0.00 | 0 ratings
Twilight Monologues
Avant-Garde Jazz 1984

MASAHIKO SATOH live albums

MASAHIKO SATOH Masahiko Sato Trio ‎: Deformation album cover 0.00 | 0 ratings
Masahiko Sato Trio ‎: Deformation
Avant-Garde Jazz 1969
MASAHIKO SATOH Holography album cover 0.00 | 0 ratings
Holography
Avant-Garde Jazz 1970
MASAHIKO SATOH Masahiko Sato, Peter Warren, Pierre Favre ‎: Trinity album cover 0.00 | 0 ratings
Masahiko Sato, Peter Warren, Pierre Favre ‎: Trinity
Avant-Garde Jazz 1971
MASAHIKO SATOH Masahiko Sato Trio ‎: Penetration album cover 0.00 | 0 ratings
Masahiko Sato Trio ‎: Penetration
Avant-Garde Jazz 1972
MASAHIKO SATOH Piano Duo (with Yosuke Yamashita) album cover 0.00 | 0 ratings
Piano Duo (with Yosuke Yamashita)
Avant-Garde Jazz 1974
MASAHIKO SATOH Kwan-Ji-Zai (観自在) - Solo Piano album cover 0.00 | 0 ratings
Kwan-Ji-Zai (観自在) - Solo Piano
Avant-Garde Jazz 1976
MASAHIKO SATOH Multi-Spheroid Solo Piano 3 album cover 3.00 | 1 ratings
Multi-Spheroid Solo Piano 3
Third Stream 1977
MASAHIKO SATOH Double Exposure: Complete album cover 0.00 | 0 ratings
Double Exposure: Complete
Fusion 1988
MASAHIKO SATOH Randooga: Select Live Under The Sky '90 album cover 3.00 | 1 ratings
Randooga: Select Live Under The Sky '90
Eclectic Fusion 1990
MASAHIKO SATOH Apostrophe : Live At Moers International New Jazz Festival 1982 album cover 0.00 | 0 ratings
Apostrophe : Live At Moers International New Jazz Festival 1982
Avant-Garde Jazz 1993
MASAHIKO SATOH Wave III album cover 0.00 | 0 ratings
Wave III
Avant-Garde Jazz 2000
MASAHIKO SATOH Signature: Live at the Egg Farm (with Joëlle Léandre & Yuji Takahashi) album cover 0.00 | 0 ratings
Signature: Live at the Egg Farm (with Joëlle Léandre & Yuji Takahashi)
Avant-Garde Jazz 2002
MASAHIKO SATOH Live At Moers album cover 0.00 | 0 ratings
Live At Moers
Avant-Garde Jazz 2005
MASAHIKO SATOH Forte : Piano Duo Live at Studio F album cover 0.00 | 0 ratings
Forte : Piano Duo Live at Studio F
Post Bop 2007
MASAHIKO SATOH Nouvelle Cuisine live at 0.00 | 0 ratings
Nouvelle Cuisine live at "Studio F"
Post Bop 2009
MASAHIKO SATOH Summer Night album cover 0.00 | 0 ratings
Summer Night
Post Bop 2010
MASAHIKO SATOH Isomer album cover 0.00 | 0 ratings
Isomer
Post Bop 2010
MASAHIKO SATOH Mudai Trio : Crossing Orbits album cover 0.00 | 0 ratings
Mudai Trio : Crossing Orbits
Avant-Garde Jazz 2012
MASAHIKO SATOH Live At Pit-Inn '98 album cover 0.00 | 0 ratings
Live At Pit-Inn '98
Post Bop 2012
MASAHIKO SATOH Afterimages album cover 0.00 | 0 ratings
Afterimages
Avant-Garde Jazz 2012
MASAHIKO SATOH Masahiko Satoh & Paal Nilssen-Love: Spring Snow album cover 0.00 | 0 ratings
Masahiko Satoh & Paal Nilssen-Love: Spring Snow
Avant-Garde Jazz 2014
MASAHIKO SATOH Masahiko Sato Tokobeni Trio : Ignition Point - Live 96 album cover 0.00 | 0 ratings
Masahiko Sato Tokobeni Trio : Ignition Point - Live 96
Avant-Garde Jazz 2015
MASAHIKO SATOH Masahiko SATOH & Shinichi KATO : Coda Tronca album cover 0.00 | 0 ratings
Masahiko SATOH & Shinichi KATO : Coda Tronca
Post Bop 2019
MASAHIKO SATOH Masahiko Satoh / Sabu Toyozumi : The Aiki album cover 0.00 | 0 ratings
Masahiko Satoh / Sabu Toyozumi : The Aiki
Avant-Garde Jazz 2019
MASAHIKO SATOH Masahiko  Satoh / Otomo Yoshihide / Roger Turner : Sea album cover 0.00 | 0 ratings
Masahiko Satoh / Otomo Yoshihide / Roger Turner : Sea
Avant-Garde Jazz 2019

MASAHIKO SATOH demos, promos, fans club and other releases (no bootlegs)

MASAHIKO SATOH Masahiko Sato Trio With Latin Rhythm ‎: 夜明けのうた/魅惑のピアノ歌謡ヒットメロディー album cover 0.00 | 0 ratings
Masahiko Sato Trio With Latin Rhythm ‎: 夜明けのうた/魅惑のピアノ歌謡ヒットメロディー
Pop/Art Song/Folk 1966

MASAHIKO SATOH re-issues & compilations

MASAHIKO SATOH singles (0)

MASAHIKO SATOH movies (DVD, Blu-Ray or VHS)

MASAHIKO SATOH Reviews

MASAHIKO SATOH Randooga: Select Live Under The Sky '90

Live album · 1990 · Eclectic Fusion
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snobb
Pianist Masahiko Satoh,one of cornerstone figure of modern Japanese jazz, founded Randooga group in 1990.The project's concept was very simple: each member improvise based on knowledge of folk melodies from different cultures and doesn't try to arrange his musicianship according to common musical harmonies. More than thirty years ago bassist Alan Silva recorded the album ("Luna Surface"),based on similar concept,which sounded almost as cacophony. In Masahiko Satoh version, it sounds much more accessible and tuneful though.

For the first Randooga's release Satoh formed the all-stars big band including leading Japanese and Western jazz artists: sax players Wayne Shorter,Kazutoki Umezu and Kohsuke Mine,trombonist Ray Anderson,drummer Alex Acuna,percussionists Midori Takada and Nana Vasconcellos, guitarist Takayuki Hijikata and Akira Okazawa on bass.Recorded during live gig, this album contains quite eclectic mix of Japanese traditional tunes,jazz-rock,Latin percussion,contemporary classical composition,tuneful saxes soloing,big band's arrangements and pop-songs attractiveness.

Oppositely to above mentioned "Luna Surface" or many other similar Western recordings,music here isn't hot, attacking or just high energetic at all. Never too slow or lifeless to become boring, it still contains lot of Japanese Zen tradition and flows quite relaxing enjoying ever-changing tunes and rhythms. Interesting mix of spontaneous but well-controlled folk-tunes based orchestral improvisations, this formula doesn't work well all the time. Some part of 73-minutes long recording sounds as orchestra playing out of tune or just missing the direction. It always returns back on track,but the feeling of regular losing of direction stays with listener all album long.

Satoh continued his Randooga project for years ahead,releasing some albums and even founded in 1993 Randooga Dojo - a school of free improvisation for children and adults, the only such kind of professional education available in Japan(knowing jazz popularity in Japan it's a big surprise that young Japaneses,dreaming about jazz musician career,need to study in Berklee,US). Satoh Randooga's "Live Under The Sky'90" is a representative example of decades-long Satoh's (as well as some other sound Japanese jazz artists)search of "Japanese way in jazz", the experiments he never abandoned to continue.

MASAHIKO SATOH Multi-Spheroid Solo Piano 3

Live album · 1977 · Third Stream
Cover art Buy this album from MMA partners
snobb
After excellent collaborative avant-fusion album "Dema" and live piano duet with Yamashita (both recorded in 1973), Masahiko Satoh remained silent for almost three years. It was a strange time on Japanese jazz scene - after free and experimental jazz glorious years (1969-1973)situation radically changed - some artists switched towards growing popularity of fusion, others - to pop-jazz. Most experimental musicians were generally out of place - short-lived Japanese funk-jazz still didn't come, jazz avant-garde dramatically lost popularity and time for brutal avant-rock, Japanese main experimental scene for upcoming years, will come after some years only.

Masahiko returned back to his experiments with piano and electronic devices, influenced by his collaboration with Wolfgang Dauner. To say truth, in series of three solo piano albums Satoh released in 1976 only one, third one contains electronic effects. Two first are just real solo piano albums and contains minimalist neo-academic compositions with just few touches of jazz improvisation (and lot of "negative space" - silence elements). Third album in series is subtitled "MultiSpheroid" and contains use of ring modulators and synthesizers, but in very limited dozes,mostly filling with light noise pauses between piano sound. Comparing with two previous series' albums,third is slightly more experimental and expressive (still borderline but sounds more "jazzy" in moments). One album-long suite,divided into two parts(because of two sides of original vinyl album).Rarity for Satoh music collectors.

MASAHIKO SATOH Dema (デマ Rumour)

Album · 1973 · Avant-Garde Jazz
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snobb
"Dema"("Rumours") is Masahiko Satoh composed album's title,based on Yasutaka Tsutsui novel of the same name (not band's name as it sometimes stated).

Actually, there are two whole bands, participated on recording - Kohsuke Ichihara All Stars and Masahiko Satoh Garan-doh. Resulting music is dark,spacey and quirky. In fact, "Dema" is great example of Japanese experimental jazz apogee: the year is 1973 and you can hear all most progressive musical ideas of the time mixed in one on this album. Based most probably on Miles Davis "Bitches Brew" influences, both bands playing simultaneously bring music stream as far as towards space rock,free jazz and psychedelic fusion. Heavy guitars, lots of keyboards, electronic effects - and knotted jazzy rhythms plus fragility of free jazz sax improvs, quite a risky mix realized here surprisingly successfully.

It's interesting that the album was released by major label CBS Sony - it shows that even they saw potential in such kind of music in early 70s. Reissued on CD in 2007 by Super Fuji Discs this album is easier accessible now. Excellent example of advanced Japanese jazz from its most innovative era, recommended for any fan of experimental fusion, avant-rock and must have release for Japanese jazz lovers.

MASAHIKO SATOH Masahiko Sato And Wolfgang Dauner ‎: Pianology

Album · 1971 · Avant-Garde Jazz
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snobb
Masahiko Satoh's fourth album is a duet with German pianist and composer Wolfgang Dauner. Dauner is one of very early European avant-garde jazz pianists, and he recorded the first free jazz album in Germany back in 1964. Dauner played with Eberhard Weber and Jean-Luc Ponty, and in the late 60s, he experimented with choral music. Being a passionate innovator and experimenter, in 1970 he discovered electronic devices and started using them in his music. He experimented with ring-modulated Hohner clavinets and pianos and recorded several albums for ECM. During his Japanese tour in spring 1971, he met one of the most advanced Japanese pianists of that time, Masahiko Satoh.

The five compositions on this album were recorded in Tokyo in March 1971, but were not released until that autumn. It's interesting that a few months later, Masahiko Satoh will record and release (on the same label Express/Toshiba) his best known, and in some sense, legendary album " Amalgamation" - an eclectic mix of musical genres and sounds, which was probably influenced by his earlier collaboration with Dauner.

"Pianology", released soon after "Amalgamation", wasn't as strong in comparison, and stayed in its shade for decades. "Pianology" is a collection of free form classical and jazz piano duo improvs, spiced with ring modulator sounds. Quite bland in its compositions, this album's main value is its revolutionary (for the time) use of electronic devices in jazz, which is only interesting in a technical way, rather than musical, at least on this release.

MASAHIKO SATOH Samadhi: Masahiko Meets Gary

Album · 1972 · Avant-Garde Jazz
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snobb
American bassist Gary Peacock made his name playing around the US and in Europe with Albert Ayler, Paul Bley and (briefly) Miles Davis during the 60s. In 1969 he left for Japan where he studied biology until 1972. Starting in 1970, he actively participated in the Japanese jazz scene and recorded and released his debut studio and live albums (with local musicians). Here on "Samadhi", Gary collaborates with the leading Japanese piano/keyboards player of that time, Masahiko Satoh, and respectable drummer Matahiko Hino.

The session's leader, Satoh, after his return from the States (studies in Berklee) became a moving force in the world of Japanese avant-garde jazz, playing and recording with every significant artist around (during 1969-1973 he released at least ten albums as leader/co-leader). On "Samadhi", he leads his trio towards advanced improvisational free form jazz, influenced by Miles Davis' early fusion works.

Side A contains just one long composition on which Satoh plays piano, the piece is long, bulky and quite unfocused. Unusual for Japanese recordings (especially coming from 70s), the sound mix quality is far from perfect. The opening composition starts at a low sound level, with the loudness/intensity slightly growing with time, much like a live recording, but we are listening to a studio one! During the early 70s, Satoh actively used, characteristic for Japanese advanced jazz, "negative space" - silence as an important part of his compositions, and on some of his albums it works perfectly, but not here. The musicians obviously aren't his regular band and the interplay isn't good, it looks like everyone just plays his own music.

Side B is a relief though - Satoh switches to analog synths (probably the only electronic keyboard that sounds really good on avant-garde jazz recordings) on "Fairy Rings", and electric piano on "Fall Out". The compositions become framed and much better structured and now all the musicians are in their places. "Fairy Rings" is a freer and slightly psychedelic composition, reminding one of early "Weather Report" music. "Fall Out" is a "Mwandishi-like" fusion piece. If only all of the album were like side B! Peacock's warm and physical bass balances well with usually dry and emotionless Satoh.

In all, this album is a mixed bag. But like almost any Japanese jazz album coming from 1969-1973, it radiates incredible non-conformism and a search for innovations, both will disappear very soon from the Japanese jazz scene for decades. This is a significant work in Satoh's discography, most probably it will attract Peacock's serious fans as well. Reissued on CD in 2012, this album isn't a super-expensive rarity anymore.

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