DamoXt7942 An incredible prototype of Swedish progressive / avantgarde / jazz / folk rock.

The first "Damen I Svart" has struck our fancy definitely, with a bit whacked-out but splendid / gracious ritualism deeply into the song. Ove's cello solo is quite impressive, especially with the smoothness like a cool clean brook, and well-harmonized saxophone concerto can make us comfortable into dream. "Garbergsbrudens Dödsmarsch" following with the same melodies sounds more massively folksy with full of violin passion.

The most suitable song for calling avantgarde folk mixed with strong jazz is their self-titled one. Sounds like they would play improvisationally, aggressively, and pleasantly ... actually, smooth but powerful drums / percussion sounds launched by Bengt must take the lead in this stuff I'm sure. His steady and organic play should accelerate their progressiveness / experimentalism. On the other hand, the first shot of Side B "Mora-Nisses Vallåt" or the next one "Esso Motor Hotel" is slightly pop / catchy jazz related rock, that can encourage us freshly. They would emphasize people need good humour and good music.

"Engelska Kanalen" tosses another panoramic sound onto us, filled with insistently meditative psychedelia, that reminds me a clear landscape of tribal dance ... quiet, solemn but sincere, enthusiastic. Not seen yet but guess their enthusiasm be leaning toward Sancta Lucia or something). Just like a soft breeze, their sounds can come into our mind really. The last "Vind", created only with dim piano / glockenspiel riffs, sounds not only tragic but expectative. Suggest lots of Swedish reviewers and fans listening to this simple stuff might feel something magnificent, something cool, and something fascinating.

Sometimes desert, sometimes old-flavoured, and sometimes lyrical texture can be heard all through the album. Recommended.