Here it is, the long awaited top album of 2019! Culled from the https://www.freejazzblog.org/2019/12/free-jazz-blogs-2019-top-tens.html" rel="nofollow - top 10 lists
of the collective, we then conducted a poll among all contributors over
the past year and now we're happy to announce this year's winners.
The top spot goes to Matana Roberts' Coin Coin Chapter 4: Memphis. Roberts is not new to the blog, in fact she received the top album of the https://www.freejazzblog.org/2013/12/2013s-top-ten-lists.html" rel="nofollow - year in 2013 for Coin Coin Chapter 2: Mississippi Moonchile.
Matana Roberts - Coin Coin Chapter Four: Memphis (Constellation Records)
https://1.bp.blogspot.com/-irl1SZtjqIU/Xbdg7vVBYNI/AAAAAAAASCE/Ss1A5KPELrctlhW4ZzqD6VpPYyma370cgCNcBGAsYHQ/s1600/roberts.jpg" rel="nofollow">
Martin Schray, in his review of the album, writes in his http://www.freejazzblog.org/2019/10/matana-roberts-coin-coin-chapter-four.html" rel="nofollow - review :
The waiting has come to an end - Matana Roberts is back with the fourth
chapter of her outstanding Coin Coin series, which has rightfully been
praised as the most interesting long-term project in modern jazz. For
those not familiar with the idea of the project: the first three Coin
Coin albums, http://www.freejazzblog.org/2011/12/matana-roberts-coin-coin-chapter-one.html" rel="nofollow - Gens de Couleurs Libres , http://www.freejazzblog.org/2013/10/matana-roberts-coin-coin-chapter-two.html" rel="nofollow - Mississippi Moonchile , and http://www.freejazzblog.org/2015/02/matana-roberts-deep-listening.html" rel="nofollow - River Run Thee , released
between 2011 and 2015, were supposed to present history from a
different perspective. Coin Coin has been planned as a 12-part magnum
opus based on the life story of the former slave and later entrepreneur
Marie Thérèse Coincoin, who lived in Louisiana at the turn of the 18th
to the 19th century and was an ancestor of Roberts, whose parents moved
from the South to Chicago and also used Coincoin as a nickname for their
daughter. The project is therefore also a personal quest for one's own
roots, but in the sense of an alternative historiography it’s much more
than that. As a result, this album - like its predecessors - is both
field research, political intervention, and sound event at the same
time.
In second place, we are pleased to present for the first time NYC based percussionist Whit Dickey with his excellent double album release.
Whit Dickey / The Tao Quartets - Box of Light & Peace Planet (AUM Fidelity)
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Lee Rice Epstein writes in his http://www.freejazzblog.org/2019/10/whit-dickeythe-tao-quartets-box-of.html" rel="nofollow - review :
Both sets are credited to what Dickey calls his Tao Quartets, a nod to
the universalism at the heart of this music. There has always been a
strong, spiritual center to his music. Now, nearly a decade after his
previous albums, with an audible gap in the world of free improvisation
left by Ware and Campbell’s ascensions, it’s clear just how vital a
presence Dickey’s compositional voice is, when he takes on the role of
bandleader. Much like Perelman and Shipp, with whom he’s never stopped
collaborating, Dickey’s leadership is somewhat suggestive: each song has
an overall shape and general destination, but the six performers
collectively guide the music.
And in a tie for third place we have:
- Christian Lillinger: http://www.freejazzblog.org/2019/05/christian-lillingers-open-form-for.html" rel="nofollow - Open Form for Society (Plaist)
- David Torn, Tim Berne & Ches Smith - http://www.freejazzblog.org/2019/04/david-torn-tim-berne-ches-smith-sun-of.html" rel="nofollow - Sun Of Goldfinger (ECM)
- Eliane Radigue- Occam Ocean 2 (Shiiin) [review coming soon]
- Microtub - http://www.freejazzblog.org/2019/11/microtub-chronic-shift-bohemian-drips.html" rel="nofollow - Chronic Shift (Bohemian Drips)
- Nate Wooley - http://www.freejazzblog.org/2019/05/nate-wooley-columbia-icefield-northern.html" rel="nofollow - Columbia Icefield (Northern Spy)
- Susan Alcorn, Joe McPhee & Ken Vandermark - http://www.freejazzblog.org/2019/08/susan-alcorn-joe-mcphee-ken-vandermark_23.html" rel="nofollow - Invitation To a Dream (Astral Spirits)
Our heartfelt congratulations and appreciation to all of the artists who
we were able to cover, and everyone whom we wish we had the resources
to cover. We all acquire and listen to much more than we would ever be
able to write about, and there are many other recordings, artists, and
labels that we hold in high regard.
So thank you to all of the contributors (the collective) who have given
their time and energy to keeping the Free Jazz Blog alive. We've now
reached the venerable age of 12 and as a volunteer organization - which
is how many in Internet years?
Finally, thank you to all of our readers who share in the love of the challenge of improvised and experimental music.
There it is, 2019 is over, onto the next!
- Paul Acquaro from http://www.freejazzblog.org
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