Jazz From Japan : Now And Then |
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ma1co1m
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Wow, fantastic thread! It's going to take me a while to work through it all, but already spotted a few albums I'm def going to have to track down. I've been getting into quite a bit of Japanese jazz recently (Mototeru Takagi, Sabu Toyozumi, Kaoru Abe...). Now I know where to come for further suggestions.
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snobb
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then you'll possibly like Masayuki Takayanagi from glorious past and living legend Akira Sakata Edited by snobb - 06 Nov 2018 at 11:22pm |
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snobb
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another boy-band from Playwright label program - Polyplus |
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ma1co1m
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Hi, yeah I'm a fan of Akira Sakata. Not familiar with Masayuki Takayanagi though, so will investigate him further. Thanks for the tip.
I think I'm familiar with many of the major players, but so many of them have such expansive discographies, knowing which are the key albums to listen to is where my knowledge let's me down. Now I know who to come and ask |
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snobb
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you're welcome I like digging Japanese jazz - it's quite different from American or European. Takayunagi is quite unique guitarist who started from cool jazz on early recordings but soon found himself playing proto-noise, possibly the earliest such musician on Japanese scene. Plenty of more current renown Japanese musicians, from avant-rock to imrovs masters are obviously influenced by him, incl. Otomo Yoshihide |
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snobb
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Otomo Yoshihide is not always noisy, he can be even romantic - his own way album released on Zorn's Tzadik label Edited by snobb - 07 Nov 2018 at 1:58am |
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snobb
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for fans of today's Japanese nu jazz - new album from one of the leaders "Fox Capture Plan" |
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Frederic_Alderon
Forum Senior Member Joined: 25 Oct 2018 Location: Maiami Status: Offline Points: 99 |
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Actually to my surprise, never heard Japanise even do Jazz....but will totally get involved in that
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Frederic_Alderon
Forum Senior Member Joined: 25 Oct 2018 Location: Maiami Status: Offline Points: 99 |
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Here is a good portion of a Jazz from Japan of 1969-1984 years:
https://bbemusic.bandcamp.com/album/j-jazz-deep-modern-jazz-from-japan-1969-1984
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snobb
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pianist Kanji Ohta 太田寛二 mainstream trio with new album
Edited by snobb - 22 Nov 2018 at 12:04am |
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snobb
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Sax player Kunihiro Izumi (a member of renown Shibusashirazu Orchestra) with new solo album "No Problem" - Japanese folklore influenced spiritual/avant-garde jazz
Edited by snobb - 26 Nov 2018 at 12:06am |
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snobb
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Playwright label continues releasing young and fashionable Japanese jazz artists music. Pianist Yo Yo "The Pianoman" is coming next week. Modern guy plays far not so modern music :)
sound samples: |
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minhnt0706
Forum Newbie Joined: 07 Dec 2018 Location: Viet Nam Status: Offline Points: 2 |
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This thread is really helpful, I have to comment to thank you!
I just start listening to Japanese Jazz recently, can you suggest for me some famous artists?
Edited by minhnt0706 - 10 Dec 2018 at 8:01pm |
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I have my own blog where I write about Japanese song lyrics. Visit it to share your hobby with me!
------------ My blog: Japanese Song Lyrics |
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snobb
Forum Admin Group Site Admin Joined: 22 Dec 2010 Location: Vilnius Status: Offline Points: 28525 |
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for hip today's Japanese jazz I would recommend to start from Playwright label artists:
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snobb
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Great pianist Masabumi Kikuchi one of most significant albums from early 70s has been reissued in December. Spiritual jazz and fusion, still quite fresh and inspired
Edited by snobb - 15 Dec 2018 at 10:03am |
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mediterraneo
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I thought about starting a thread on this but maybe someone here might be interested in this: Does anyone have any thoughts on this:http://www.jazzinjapan.com/interviews/526-the-moment-for-jazz-is-now.html "Already, many of the jazz festivals in Japan have disappeared. Since the mid 90s, there has been no jazz festival in Japan that is internationally known. Tokyo Jazz could be the only one. We now have no jazz festival tourism like in Europe and the USA. There may be some reasons why we could not maintain the healthy potential in the concert business of jazz. It is partially because of such jazz clubs like Blue Note or Billboard, which offer food and music with very expensive price, but with only 300 seats. We should have made as many people come to see jazz concerts as possible, not for food and drinks, but for the music itself" |
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snobb
Forum Admin Group Site Admin Joined: 22 Dec 2010 Location: Vilnius Status: Offline Points: 28525 |
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hey,
your link isn't working
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mediterraneo
Forum Newbie Joined: 29 Dec 2018 Status: Offline Points: 4 |
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They must have recently done something with the site because it was just up there. Do you have any thoughts on the passage I quoted?
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mediterraneo
Forum Newbie Joined: 29 Dec 2018 Status: Offline Points: 4 |
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Here is the cached version: http://webcache.googleusercontent.com/search?q=cache:-1mHeZyti8YJ:www.jazzinjapan.com/interviews/526-the-moment-for-jazz-is-now.html+&cd=1&hl=en&ct=clnk&gl=us&lr=lang_en%7Clang_de%7Clang_es%7Clang_fr%7Clang_it%7Clang_pt&client=firefox-b-1 The Moment for Jazz is Now!
Interview with Kazuki Takami Kazuki Takami is A&R and Label Manager at one of Japan’s best
record labels East Works Entertainment. EWE has recorded and promoted
some of the very best of Japanese jazz since its inception in 1995. They
have developed five distinct labels in that time, spreading out into
Latin music, electronic jazz and other inspired music that does not fit
easily into simple categories. They focus primarily on Japanese
musicians, but include artists from many other countries as well. Their
list of straight-ahead jazz is the envy of most other Japan-based
major-label companies. EWE has always kept its independent spirit, even
as jazz has become both big business and an almost unrecognized art
form. The musicians who sign with EWE are the ones most interested in
pushing the music forward in unique and engaging ways. In this
interview, Takami gives his independent and insiders’ view of jazz and
where it might be headed in the future. If anyone would have an informed
opinion on where Japanese jazz might be headed and why, it is Takami.
Edited by mediterraneo - 29 Dec 2018 at 8:32pm |
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snobb
Forum Admin Group Site Admin Joined: 22 Dec 2010 Location: Vilnius Status: Offline Points: 28525 |
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The topic above comes from year 2010, one of the first year of last world's economical crisis, what partially feels from its mood. Situation is different now, and many things are changed during these 8 yrs, then again - most probably we are not too far from the next world's economical crisis (many experts speak about 2020),so some things are still actual...
Speaking about jazz popularity in general, I can mention some moments about situation in Europe (I believe the situation in States is different). Jazz has never disappeared from European scenes but as everywhere it experiences some ups and downs. Last decade, especially after-crisis time, is quite successful time for jazz in Europe (not only European jazz), but it differs from country to country. English jazz scene which has been never before a jazz Mecca (or almost never before, excluding some short periods of early fusion etc) is one of the world's most dynamic jazz places now. Some acts are even commercially enough strong and successful, what is generally a rarity in jazz world. In general, jazz in Europe is partially successful (or at least alive) mostly because of a) educational moments which build its image as "high art" (on the same or similar level as classic music), not just entertainment and b) financial support from governments in many countries same way as them support classical music Without above two factors we wouldn't see the picture we have now, and I expect this is a major difference between the situation in Europe and one we have in US or Japan.
Edited by snobb - 30 Dec 2018 at 4:47am |
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